reviews

A Sample of What Others are Saying...


bobby@hinson-design.com

Hey man,

Just got the pedal. My initial impressions, under less than ideal conditions (a questionable battery through my hybrid practice amp): holy crap!! This is one sweet sounding pedal. All the gain anyone could ask for, while staying smooth, articulate and organic.

The true test will be with my performance setup (AC powered pedal through a class A tube amp), which is over at my band's rehearsal space. But I have faith that it will sound even better :-)

Thanks a lot,

Bobby


CanderHS@bp.com

Alf,

I received the Mosferatu over the weekend and have run it through a couple of amps and will use it at band practice tonight and at a gig on Saturday night.  The pedal works and sounds great.  I really like the pedal and will not be returning it.  So, congratulations on building a nice pedal.

Here's what I like about the pedal:  surpringly good sustain, even at lower gain levels.  Thick, yet believable tone.  The pedal actually sounds a bit like an old Fulldrive that I have (one of Fuller's first Fulldrive's -- unpainted box).  However, the Mosferatu has a more "open" sound -- you get a little more detail on the high end than the Fulldrive.  In other words, it's a little more amp-like than the Fulldrive.  The pedal seems to work best with my 6L6 based Marshall amps (JTM45 and Bluesbreaker combo), but it also produces Robin Trower tones with my EL34 based 50 watt Marshall (a good thing).  Overall, this is a pedal that I would recommend to people that like Tubescreamer-type overdrives, but think that Tubescreamers and Fulldrives don't sound "real" enough.  The Mosferatu provides the thick mids without sounding synthetic.  Lastly, the Mosferatu sounds good regardless of whether the amp is breaking up or is running clean.

I also like the way the pedal reacts when I put a volume booster in front of it and send a big signal in. You get an even thicker, singing tone that works well for leads.

Suggestions on the pedal:  I have large feet, but I think that even people with normal sized feet might appreciate having the footswtich farther away from the knobs.  The footswitch on mine is close to the middle of the pedal.  I realize that space is cramped inside those boxes once you throw a battery in and that you have to make compromises.  Also, I will probably use double stick tape to mount one of those cheap Radio Shack battery clips to the underside cover plate -- just to ensure that the battery doesn't slide around at all...  unless you tell me not to...

Thanks for the fast service and keep up the good work.

Best regards,

Harris

filgate66@comcast.net

Alf

OK, here's my review.  My goal was to see how the Mosferatu prototype would work with different amps. I used a George Dennis 30 watt Mighty Mouse (4xEL84) into a Gibson 2x12, a 1969 Fender Champ, a Behringer GX110 (2 channel SS) and Yamaha 115B (30 watt SS bass amp). I played a 1972 Tele with Bill Lawrence L290's, a LP Jr with Bill Lawrence P90's. a H-S-S Strat, and a Teisco del Rey with G&L MFD's.

My quest was based on recent experience with OD/boost pedals that worked poorly if at all with SS amps. It seems a lot of these pedals need a tube amp on the edge of breakup to do their stuff. That's OK, but it's not really mentioned in the hype that surrounds them.

In any case, the Mosferatu works on all these amps. Each one differently. The Behringer was the least satisfactory - but it has a rather limited tone range to begin with. The Mosferatu can't make it fly but it can add gain, volume, and sustain for days.

I found a variety of tones in the Mos - the gain knob not only adds crunch and grit but mucho sustain. The tone control covers a relatively narrow range but it's all good and the transition is smooth. There is some added noise once you get past 4 PM. With the gain at zero and the volume dimed you can get a nice light boost and you can sculpt it with the tone knob.

The Mos sounded great with the GD, the Champ, and the Yamaha. I used the GD's clean channel set to its Voxiest. The Champ was set at Vol-8, bass and treble - 5. The Yamaha was bass, mid, treble - 5/10. Each amp maintained its character and the Mos worked well with them all. I would find a new setting and then switch amps and find a very similar tone but with that particular amp's flavor. The Yamaha did not have the "airiness" and motion of the tube amps, but it had tone. I usually use the Yamaha for cleans and modulated sounds. It has no distortion circuitry of its own but it's like an empty mirror. It will reflect what you give it, unlike the Behringer which has a much more limited range of frequencies it can handle.

The Tele and the Jr could get all sorts of tones from the Mos. I would find one tone and switch guitars and find very similar tones, even if the Jr's were a little beefier. The Teisco liked the Mos dimed - I got some great raw slide tones (anybody remember Pete Hay****, Climax Blues Band - that kinda sound). The HB Strat was noticeably louder than any of the other guitars and seemed to push the Mos into OD much easier - something to consider if you plan on switching guitars mid-set while using the same pedal rig. It was also less subtle, with fewer nuanced tones. Higher output pup's drive the Mos very easily.

A couple more things - sweet harmonic beats on double stops 1st string open E with C, D, and E on the 2nd string. 2nd strng open B with A and G on 3rd string and with E on 4th string.

I hooked it up with a Direct Drive amd a Zoom Power Drive ahead of it and a Brontoboost and Tinnitus (Scrambler clone) after it. The PD in boost mode was very good. It may not cop the whole M2 thing, but I can imagine. I set the Mos drive bewteen 2 and 3 PM and could get a wide range of tones using the tone knob of the Mos and the bass and treble of the PD. As an OD driving the Mos, the PD was less impressive but it was still good. The Direct Drive in boost mode was a nice effect, but the tone range wasn't as wide as the PD-Mos combo. In OD mode the DD-Mos combo could get real fat.

The Bronto comparison is very different. The hi-fi glisten of the Bronto is very different from the PD, DD, and Mos. I need to play with this combo a while longer to get a handle on it.

I set up the Tinnitus as a goof and was blown away. The Mos sustained OD into the Tinnitus was GREAT! All the crackle but with REAL BIG BALLS!

This is getting a little too long, so to sum up - Mos good. Mos good with tube amp. Mos good with good SS amp. Mos good with SC. Mos very big with HB. Mos good with boost in front of Mos. Mos good with Tinnitus after Mos. Mos and Bronto from different planet. Working on Universal Translator now.

Ernest


jmeehan@opentext.com

Hi –

Will Ellis was kind enough to lend me his Mosferatu 1 to check out. I had a chance to gig it this weekend and Will had mentioned you might be interested in my findings.

This weekends gig was a casual holiday party, we covered many styles of music. I used an ash strat with Kinman Woodstocks and an Allen Accomplice 1x10 which is like a cross between a black-face deluxe and a Princeton reverb. I also used a Schecter C1 which is a neck thru “shredder” guitar with 2 humbuckers.

My main board is a behemoth, but I threw together a small board consisting of the MOS, a Maxon AD80 and a BOSS PQ4 for solo boosts.

The MOS performed great! I really dug the sounds. Plenty of gain on hand, I found pinch harmonics worked well, and it sat in the mix rather nicely. The “back off the volume on the guitar” was cool and I liked the tones I was getting. The single tone control is useful and I found the tone I was looking for with more room to spare, which is good. Plenty of volume on hand. I did find the location of the switch a bit too close to center and closer to the edge would be more beneficial as I found myself hitting the controls a few times when I stepped on the switch. Also, spreading the knobs out more across the whole width of the pedal would benefit “foot tweaking” and using knobs with bigger pointers, or whatever you call the white dots that show you where the knob is, would aid in visibility on a dark stage. The knobs from a Rat2 that glow would be great!

All I all, a great pedal. This is a list of the pedals in that vein that I’ve currently got and am comparing to. I can see the MOS making me consider selling off some of this gluttonous herd!.

Pharaoh Sweet Cheetah 2

BJF Dyna Red

Original Marshall Guv’nor

Barber Direct Drive SS

Tonebone Hot Brit

Rat 2

Willie is going to have a tough time getting this back from me J

Regards

John


kshows@covad.net

Hello Alf,

I got the pedal today ... sounds great! Heavier (more gain) earlier in
the sweep than I thought there'd be, but you can never have too much
gain! :)

Thanks,
 Kevin

sturnialo@lucent.com

The pedal came Friday, but I was not there to sign for it so I picked it up Saturday.  It sounds great.  Plenty of sustain and I particularily like the "crunch" sound.  Sounds like a cranked Marshall, what I also like is it doesn't have that buzzy sound that many OD's have. I was wondering what order the  channels are cascaded in? It seems that the left channel comes first.  I was trying to set  the pedal to give me a rhythm and lead sound, any suggestions?  I was also wondering if you had done any mods so that you could switch between the channels quickly?  What I mean is have channel 1 as the rhythm channel and switch to channel 2 without having to turn off channel 1. 

Thanks, Joe


Turtleheadband@aol.com

Got The M3 today.....what a killer pedal man......alot different than my mos.....whats up with that? Will said a volume drop??? i dont get it.....it will blow my speakers out at half volume.....i got some serious fat gain happenin with this thing..the mid control seems kinda funky.....just not used to it maybe..more of the Marshall vibe than the Dumble vibe im hearin on mos1 ...might be cool to market it that way.....mos1 dumble...mos3 marshall....make a double.....marshall and dumble in one ped..

more later  thanks bud

Tony

adambaker29@comcast.net

absolutely killer!!! great bass response, great snarl and bite! great od, great distortion.  I like the drive on 8:30, 9 and 11 o'clock, the tone at 4 o'clock and the volume at 11 o'clock. I want it!!! sounds like a modded Marshall...only 1 niggle, it seems from 11 o'clock on the gain stays the same...heavy!. can the taper be adjusted between the boost and od sounds to distortion?

 

i just turned it up..w/ my prs mccarty into a clean amp i got the greatest allman bros. tone on the neck p/up and a great gray moore tone on the bridge. . this is great!!!!!! so amp like!!!!!!

fredz@pe.net

Hi Alfonso..got the pedal and played it a couple of nights.It's got good lively pizazz in the mids.. the gain comes on pretty quick, but it does have a clean region..I bought it for the gain tho.I like the muscular finesse in the sound..better than the typical 4558 based pedals out there..It's got more believable snarl than i expected.. it goes great into other pedals, or behind another booster/od pedal..good workmanship and sound. doesn't seem to be amp fussy either.  I'll be tying it thru some more amp/speaker configurations this week... thanks Alfonso..Keep me posted on your new developments...   fred z

williebudda@hotmail.com

Hey Alf,

Man, I had about another 2 hours to play the Mos after I spoke to you.  You really NAILED it on this one!!  This is one amazing sounding pedal. 

Thanks again!

Will Ellis


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